 GENRE : Screamo/Post Hardcore MEMBER : -Yari - Vocal -Dodo - Bass + Screams -Dimas - Guitar -Nova - Guitar + Screams -Sandy - Drums we're just 5 kids who are reach a dreams with totality, creativity and togetherness. we're have a destination, work, work and work with music us. we are DABEDABEDU, based in Bogor, Indonesia. Check Us on : http://www.myspace.com/dabedabedurock http://www.reverbnation.com/dabedabedurock http://www.purevolume.com/new/dabedabedu... http://www.twitter.com/dabedabedurock http://demos.hai-online.com/index.php/pr... http://www.icema.co.id/bnc/profile/298-D... http://www.battleofthebands.com/u/dabeda... http://www.dabedabedu.tumblr.com |
Rabu, 07 Desember 2011
DABEDABEDU
IMMORTAL RESURRECTION 2nd BIRTHDAY PARTY
COMING SOON
@IRECTIONjkt present :
"LET'S DANCE UNTIL IDIOT"
IMMORTAL RESURRECTION 2nd birthday party
25 februari 2012 on parkit dejavu
@IRECTIONjkt present :
"LET'S DANCE UNTIL IDIOT"
IMMORTAL RESURRECTION 2nd birthday party
25 februari 2012 on parkit dejavu
with :
KICK AND PUNCH (SINGAPORE)
H.1.N.1
NO ANSWER
CRIME OF VIOLENCE
WASTED FROM REALITY
HEAVEN ON TEARS
ONE DAY FOR REVENGE
ENEMY AND FRIENDS
OUT
JUXTAPOSE REDEMPTION
UNTIL THIS MOMENT
ABOUT THE DRUNKER
FLINSTONE WITH APOLLO
SHUTTLE CHEESE
Need more band
Register : 200k + 5 share ticket
KICK AND PUNCH (SINGAPORE)
H.1.N.1
NO ANSWER
CRIME OF VIOLENCE
WASTED FROM REALITY
HEAVEN ON TEARS
ONE DAY FOR REVENGE
ENEMY AND FRIENDS
OUT
JUXTAPOSE REDEMPTION
UNTIL THIS MOMENT
ABOUT THE DRUNKER
FLINSTONE WITH APOLLO
SHUTTLE CHEESE
Need more band
Register : 200k + 5 share ticket
contact person :
083876469130
08561088539
pin : 300A3383
media partner :
www.jakartanetwork.com
SE7EN PHOTOGRAPHY
www.Xtreme-Zine.com
@infoinfogigs
support by :
CHILLI DENIM
GANGSTERRECTION
DKV NOT DEATH
083876469130
08561088539
pin : 300A3383
media partner :
www.jakartanetwork.com
SE7EN PHOTOGRAPHY
www.Xtreme-Zine.com
@infoinfogigs
support by :
CHILLI DENIM
GANGSTERRECTION
DKV NOT DEATH
TYPECAST
GENRE :
ROCK
MEMBER :
- Steve Badiola - Guitars / Vocals
- Pakoy Fletchero - Guitars
- Chi Resurreccion - Bass
- Melvin Macatiag - Drums
ROCK
MEMBER :
- Steve Badiola - Guitars / Vocals
- Pakoy Fletchero - Guitars
- Chi Resurreccion - Bass
- Melvin Macatiag - Drums
Since the 2007 release of Every Moss and Cobweb, Typecast has become the unlikely vanguards of musicianship in an artistic landscape replete with fleeting trends. It has taken them years of relentless touring and considerable personal sacrifices to reach this point, all for the sake of preserving their vision. After a wearying decade of defying expectations, it is n...o surprise that Typecast has lapsed into an uncharacteristic silence. There comes a time when artist suffer from their own creations, and it becomes necessary to renew in order to survive. Now, after three years of introspection,Typecast has returned from their self-imposed exile with How Your Influence Betrays You – their most ambitious effort to date.
Recorded at Tower of Doom with the guidance of the inimitable Eric Perlas, How Your Influence Betrays You is a sprawling reflection of the long, timorous road that Typecast has traveled, harking back to their humble beginnings in Laguna while heralding the promise of the future. The first single - This Kind of Silence, combines the enthusiasm and sincerity the band has become known for while giving a glimpse of the bold new direction they have taken. The band further brings to light their evolving sophistication with the album opener, Unwilling, a melancholic and deceptively gentle meditation that reveals their exceptional musical complexity along with their ever-present desire to defy expectations. Typecast‘s greatest strength, however, has always lain in forging new ground while remaining true to their underground roots, and nowhere is this more apparent than in the raucous and impassioned The Truth and the menacing opus As Silent As Death, collaborations with longtime friends, Rogel Africaand Tatel Marcelino, both of seminal metal band Valley of Chrome. Showcasing the beauty in simplicity, the band also reveals newfound depth and worldliness with the existential You Will Be Alone, a stark and lonely parable that is sure to become an instant classic.
In an era defined by the ephemeral, Typecast has once again made their mark by eschewing the familiar, continuing their decade-long tradition of pushing musical boundaries and daring experimentation. Now, they lay bare ten years’ worth of creativity and emotion, simultaneously honoring their past while hinting towards the sound of things to come. Condensing a decade of experience into one album is a challenge, but this new release manages to encapsulate the trials and tribulations that have shaped them into the artists they have become. With How Your Influence Betrays You, Typecast has taken their fearlessness and inventiveness to the zenith, going beyond their influences to create something truly transcendental.
EVERY MOSS AND COBWEB / THE INFATUATION IS ALWAYS THERE
Emerging from the underground music haven of Laguna, Philippines, Typecast have staked their claim at the forefront of the scene with their unique brand of aching sincerity and arresting melodies. Through unforgettable live shows, a devoted fan base, and their unrelenting DIY ethic, the band continues to shatter preconceptions of what an underground band can offer, garnering admiration from fans as well as from the bands that inspired them to forge their own path. Typecast began as a three-piece band in 1999, when founding members Steve Badiola (guitar, vocals) and Melvin Macatiag (drums) met in high school. They later recruited Chi Resurreccion (bass) and began playing shows in their hometown in Laguna. After establishing a local fan base, intense word-of-mouth and nonstop touring led the band to the hallowed halls of the Philippines' premier rock station, NU 107, and a guest spot on In the Raw, NU 107's landmark program spotlighting up-and-coming local bands. The trio recorded the barebones EP Last Time in 2002, capturing the frenetic energy and raw emotion of their live performances. Typecast continued to perform in support of the EP, eventually catching the attention of Raymund Marasigan, formerly of legendary Filipino band The Eraserheads.
The year 2004 saw the release of Typecast's first full-length album, The Infatuation Is Always There. The album, produced by Marasigan, was an emotional and musical tour de force, revealing an emotional maturity and superior musicianship uncaptured by the rawness of their previous release. The aftermath of Infatuation brought more changes to the band. With little radio airplay and minimal promotion, Typecast's debut album reached unprecedented heights for an independent release, exposing them to a new audience and changing the landscape of Filipino music. The band satisfied the public's hunger by touring the country even more extensively and honing their live act on the Philippines' major music festivals.
Typecast soon headed back into the studio, this time with new member Pacoy Fletchero (guitar) in tow. The band made their way to Studio 101, in Malaysia, and recorded their second album, Every Moss and Cobweb. The strength of the songs on Every Moss is a testament to the band's distinct but evolving style. From the fragile and moving album opener, You Don't Need Eyes To See, to the visceral defiance of The Conflict, and to the anthemic lament of Will You Ever Learn, Typecast continues to showcase their growing versatility. Every Moss, distributed nationally by Warner Music Philippines, allowed Typecast to reach even wider audiences; the public reaction to the album has been extraordinary, gaining them new followers and satisfying their longtime fans as well. With 2007 coming to a close, Typecast continues to write new songs and tour relentlessly, preserving their reputation as a formidable live band. Never content to rest on their laurels, it is certain that Typecast's drive will cement their status as one of the best Philippine local bands to emerge from the underground.
The band is currently recording at Tower of Doom Studio for another CD set to be released this year, 2009. Watch out for it!
Recorded at Tower of Doom with the guidance of the inimitable Eric Perlas, How Your Influence Betrays You is a sprawling reflection of the long, timorous road that Typecast has traveled, harking back to their humble beginnings in Laguna while heralding the promise of the future. The first single - This Kind of Silence, combines the enthusiasm and sincerity the band has become known for while giving a glimpse of the bold new direction they have taken. The band further brings to light their evolving sophistication with the album opener, Unwilling, a melancholic and deceptively gentle meditation that reveals their exceptional musical complexity along with their ever-present desire to defy expectations. Typecast‘s greatest strength, however, has always lain in forging new ground while remaining true to their underground roots, and nowhere is this more apparent than in the raucous and impassioned The Truth and the menacing opus As Silent As Death, collaborations with longtime friends, Rogel Africaand Tatel Marcelino, both of seminal metal band Valley of Chrome. Showcasing the beauty in simplicity, the band also reveals newfound depth and worldliness with the existential You Will Be Alone, a stark and lonely parable that is sure to become an instant classic.
In an era defined by the ephemeral, Typecast has once again made their mark by eschewing the familiar, continuing their decade-long tradition of pushing musical boundaries and daring experimentation. Now, they lay bare ten years’ worth of creativity and emotion, simultaneously honoring their past while hinting towards the sound of things to come. Condensing a decade of experience into one album is a challenge, but this new release manages to encapsulate the trials and tribulations that have shaped them into the artists they have become. With How Your Influence Betrays You, Typecast has taken their fearlessness and inventiveness to the zenith, going beyond their influences to create something truly transcendental.
EVERY MOSS AND COBWEB / THE INFATUATION IS ALWAYS THERE
Emerging from the underground music haven of Laguna, Philippines, Typecast have staked their claim at the forefront of the scene with their unique brand of aching sincerity and arresting melodies. Through unforgettable live shows, a devoted fan base, and their unrelenting DIY ethic, the band continues to shatter preconceptions of what an underground band can offer, garnering admiration from fans as well as from the bands that inspired them to forge their own path. Typecast began as a three-piece band in 1999, when founding members Steve Badiola (guitar, vocals) and Melvin Macatiag (drums) met in high school. They later recruited Chi Resurreccion (bass) and began playing shows in their hometown in Laguna. After establishing a local fan base, intense word-of-mouth and nonstop touring led the band to the hallowed halls of the Philippines' premier rock station, NU 107, and a guest spot on In the Raw, NU 107's landmark program spotlighting up-and-coming local bands. The trio recorded the barebones EP Last Time in 2002, capturing the frenetic energy and raw emotion of their live performances. Typecast continued to perform in support of the EP, eventually catching the attention of Raymund Marasigan, formerly of legendary Filipino band The Eraserheads.
The year 2004 saw the release of Typecast's first full-length album, The Infatuation Is Always There. The album, produced by Marasigan, was an emotional and musical tour de force, revealing an emotional maturity and superior musicianship uncaptured by the rawness of their previous release. The aftermath of Infatuation brought more changes to the band. With little radio airplay and minimal promotion, Typecast's debut album reached unprecedented heights for an independent release, exposing them to a new audience and changing the landscape of Filipino music. The band satisfied the public's hunger by touring the country even more extensively and honing their live act on the Philippines' major music festivals.
Typecast soon headed back into the studio, this time with new member Pacoy Fletchero (guitar) in tow. The band made their way to Studio 101, in Malaysia, and recorded their second album, Every Moss and Cobweb. The strength of the songs on Every Moss is a testament to the band's distinct but evolving style. From the fragile and moving album opener, You Don't Need Eyes To See, to the visceral defiance of The Conflict, and to the anthemic lament of Will You Ever Learn, Typecast continues to showcase their growing versatility. Every Moss, distributed nationally by Warner Music Philippines, allowed Typecast to reach even wider audiences; the public reaction to the album has been extraordinary, gaining them new followers and satisfying their longtime fans as well. With 2007 coming to a close, Typecast continues to write new songs and tour relentlessly, preserving their reputation as a formidable live band. Never content to rest on their laurels, it is certain that Typecast's drive will cement their status as one of the best Philippine local bands to emerge from the underground.
The band is currently recording at Tower of Doom Studio for another CD set to be released this year, 2009. Watch out for it!
DIVIDE
GENRE : Electronic-Post Hardcore | |
Dhenaldi "Denk" Savirio : Dirty Vox Kreshna "Bolo" Narendra : Lead Guitar Danindra "Uda" Kamil : Guitar & Clean Vocal Willfred "Will" Nugroho : Bass Fikrie "Fik" Handoko : Synthesizer & Sampling Gemuruh "Gege" Adhityatama : Drum DIVIDE is a Electronic - Post Hardcore band from Indonesia, more precisely from the Southern Jakarta. The name "DIVIDE" was taken from the concept of God and Human and with other Human Being. The Gap between the rich and the poor, racism, and all things that inspire us in writing our songs and lyrics. In 2009 Dhenaldi Savirio Firmansyah, Wilfried Arief, Kreshna Narendra and Fikrie Arief decided to make a band and ask Danindra Kamil (ex-HellYeahForNothing) and Gemuruh Adhityatama (Orestes) to join and finally named themselves as DIVIDE. |
KING OF PANDA
GENRE Genre
POP CORE (Pop Punk- Hardcore) /EASYCORE
MEMEBER :
- CHOQY : VOC 6 STRING 1
- ECCA : BACK VOC 4 STRING
- KOMPAS : BACK VOC SYNTH
- WAHYU : VOC 6 STRING 2
- GUNK DE : DRUMER
- CHOQY : VOC 6 STRING 1
- ECCA : BACK VOC 4 STRING
- KOMPAS : BACK VOC SYNTH
- WAHYU : VOC 6 STRING 2
- GUNK DE : DRUMER
we are POP PUNK HARDCORE maniac from kuta bali
It started from a simple idea of , CHOQY ( Guitar Vocal) and KOMPAS ( Synth) to start a band just for fun. at first they hired ESSA (bass). On Drums was filled by Keju ( ex drummer), because he was very bussy with his other band, he bailed out. And then we hired WAHYU as guitar and vocals, to fill in on Choqys lead vocal.
As for the drum position, we held e few closed audition to find the perfect drummer for King Of Panda. And Finnaly, Kompas hired his old drummer from his old band to join. after we felt that chemistry, we ask GUNK DE to join permanently with king of panda.
King Of Panda was officialy form in July 24th of 2008. in other words " King of Panutan Kawula Muda" , The king of Youngters, teens, being a role model for them in a positive way.King of Panda are also often called KINOPAN. and our street team is KAWAND PANDA, meaning PANDA FRIENDS!!! our genre is POP PUNK HARDCORE, a mixture of pop punk and hardcore, wich in every song there are Breakdowns, Gang vocals,and Sing Alongs..
so..lets sing alongs with us,and prepare your HEAD!!
Check Us on :
It started from a simple idea of , CHOQY ( Guitar Vocal) and KOMPAS ( Synth) to start a band just for fun. at first they hired ESSA (bass). On Drums was filled by Keju ( ex drummer), because he was very bussy with his other band, he bailed out. And then we hired WAHYU as guitar and vocals, to fill in on Choqys lead vocal.
As for the drum position, we held e few closed audition to find the perfect drummer for King Of Panda. And Finnaly, Kompas hired his old drummer from his old band to join. after we felt that chemistry, we ask GUNK DE to join permanently with king of panda.
King Of Panda was officialy form in July 24th of 2008. in other words " King of Panutan Kawula Muda" , The king of Youngters, teens, being a role model for them in a positive way.King of Panda are also often called KINOPAN. and our street team is KAWAND PANDA, meaning PANDA FRIENDS!!! our genre is POP PUNK HARDCORE, a mixture of pop punk and hardcore, wich in every song there are Breakdowns, Gang vocals,and Sing Alongs..
so..lets sing alongs with us,and prepare your HEAD!!
Check Us on :
Minggu, 20 November 2011
DANGER RANGER
GENRE : HEAVY DANCE-POP | |
MEMBER : Ilham Prasetya (Iing) - Vocals/Guitars Rinaldy Ramadhan (Aldy) - Bass/Vocals Fajar Putu Handoko - Drums Wahdan Ismudiar - Guitars M. Faisal Riant (Salt) - Keyboards Danger Ranger was formed in the middle of may 2008, with the formation : Iing, Fajar, Aldy,Wahdan, and Sandy. Not too long after we record our first demo, Sandy decided to resign, due to his concern of his study. Then Salt and Derisky join us to cover it up and add more tunes. Unfortunately, about a year after Derisky join, he decided to resign and focus on his first year of college. So now here are five of us, struggle and survive. Check Us On : www.myspace.com/dangerangerock www.purevolume.com/dangerangerock www.dangerangerock.tumblr.com |
Jumat, 28 Oktober 2011
LAMIA
MEMBER :
- Febryansyah as scream
-Nunuy as growl
-Hafizh as ryhtm guitar
-Malik as lead guitar
-Elphin as bass
-Aviantino as drums
originated from previous febro bass player who wants to make one thing better than his band's previous reply and he was looking for managers and met Vika. then Vika ex manager looking for personnel and was finally met with the febro as the vocals and hafizh as guitar ryhtem. when we are hard to meet bassist and it turns out we met a from Olenk febro comes from friendship. and aviantino sign up wit...h us . we are present with the music DEATHCORE genre . WE will introduce METAL MUSIC IS NOT MUSIC ZIONIST
Our line up until now:
febro as vocal
hafiz as guitar
malik as lead
joe as bass
aviantino as drum
Lamia was a queen of Libya who seduced by Zeus and gave him several children. In a fit of jealousy, Zeus's wife Hera killed all of Lamia's children. Lamia is usually described as a beautiful woman from the waist up but as a snake from the waist down. In his grief over losing her children, Lamia took to eat the children of other women and men attractive to suck their blood. Lamia form, uncapitalized (lamiae plural), is often used generally to refer to the devil, usually women, who kills a human baby and drinking human blood's. Alternately, they are sometimes portrayed as a vampire or succub
-Nunuy as growl
-Hafizh as ryhtm guitar
-Malik as lead guitar
-Elphin as bass
-Aviantino as drums
originated from previous febro bass player who wants to make one thing better than his band's previous reply and he was looking for managers and met Vika. then Vika ex manager looking for personnel and was finally met with the febro as the vocals and hafizh as guitar ryhtem. when we are hard to meet bassist and it turns out we met a from Olenk febro comes from friendship. and aviantino sign up wit...h us . we are present with the music DEATHCORE genre . WE will introduce METAL MUSIC IS NOT MUSIC ZIONIST
Our line up until now:
febro as vocal
hafiz as guitar
malik as lead
joe as bass
aviantino as drum
Lamia was a queen of Libya who seduced by Zeus and gave him several children. In a fit of jealousy, Zeus's wife Hera killed all of Lamia's children. Lamia is usually described as a beautiful woman from the waist up but as a snake from the waist down. In his grief over losing her children, Lamia took to eat the children of other women and men attractive to suck their blood. Lamia form, uncapitalized (lamiae plural), is often used generally to refer to the devil, usually women, who kills a human baby and drinking human blood's. Alternately, they are sometimes portrayed as a vampire or succub
Rabu, 26 Oktober 2011
LAST PRAY BEFORE DEATH
MEMBER :
-Valen as Vocal (Growl)
-Alvin as Vocal (scream)
-Alvin as Vocal (scream)
-Andy as Drums
-Amirul Guitar Lead
-Deli as Guitar Rhytem
-Fauzi as Bass
-Deli as Guitar Rhytem
-Fauzi as Bass
to play with the genre MELODIC DEATH METAL with influence
THE BLACK DAHLIA MURDER,AS BLOOD RUNS BLACK
STRAIGHOUT.DAN KEMATIAN..
Line this up because it did not last long in a bustle of some
personiel then in early 2011 changed the name to be
LAST PRAY BEFORE DEAD. Stay melodic death metal genre practice,
our musical background theme of the cult, offering human beings cursed by his god
THE BLACK DAHLIA MURDER,AS BLOOD RUNS BLACK
STRAIGHOUT.DAN KEMATIAN..
Line this up because it did not last long in a bustle of some
personiel then in early 2011 changed the name to be
LAST PRAY BEFORE DEAD. Stay melodic death metal genre practice,
our musical background theme of the cult, offering human beings cursed by his god
Selasa, 25 Oktober 2011
Rabu, 19 Oktober 2011
FINAL ATTACK
MEMBER :
Sweet Widi (vox)
IndraXChino (guitar)
Andri Rad (guitar)
Joneh (bass)
Ikhsan (drum)
Andri Rad (guitar)
Joneh (bass)
Ikhsan (drum)
Minggu, 09 Oktober 2011
AS FAR AS
MEMBER :
GENRE :
punk / pop punk
band started in December 2007. At that time, we consisted of only three members: ECHO (Bass),YUDHA (GUITAR+VOCALS), and NUCKI (Drums). The band was actually formed in South Jakarta, in the middle of June 2008. AS FAR AS aim is to create a punk rock in which power and aggressiveness come out from a screaming vocal style mixed with unconventional catchy tune
The band is going to record its first Ep-CD and ready to go on stage
The band is going to record its first Ep-CD and ready to go on stage
Rabu, 05 Oktober 2011
THIRTEEN "LAUNCHING ALBUM"
THIRTEEN SPECIAL SHOWCASE !
Beli CD 'EPIDEMIC' sekarang buat invitation kamu ke @THIRTEENjkt 'EPIDEMIC' album launching 22 Oktober 2011 di The Green Kemang
LACRIMOSA
LACRIMOSA member :
-Regi as vocal
LACRIMOSA terbentuk tepat pada awal Agustus 2011,yg di personili oleh regie as vocal,raynal as guitar lead,yogie as bassis,satria as guitar rhytem,faisal as drummer..
sebelumnya band ini diberi nama DREAM BEFORE SLEEP atas usulan regie namun, para personil lainnya kurang stuju dengan nama itu akhirnya raynal (black) guitar lead kami mengusulkan nama LACRIMOSA yg diambil dari bahasa Germany yg artinya "TANGISAN KEJAM" dan para personil kami pun setuju dengan usulan tersebut..
akhirnya terbentuk lah LACRIMOSA,yang ingin meramaikan musik indie di tanah air ini
sebelumnya band ini diberi nama DREAM BEFORE SLEEP atas usulan regie namun, para personil lainnya kurang stuju dengan nama itu akhirnya raynal (black) guitar lead kami mengusulkan nama LACRIMOSA yg diambil dari bahasa Germany yg artinya "TANGISAN KEJAM" dan para personil kami pun setuju dengan usulan tersebut..
akhirnya terbentuk lah LACRIMOSA,yang ingin meramaikan musik indie di tanah air ini
Sabtu, 01 Oktober 2011
THE DEVIL WEARS PRADA NEW ALBUM "DEAD THRONE"
http://www.deadthrone.com/
Upcoming | Local Dates | ||||||
|---|---|---|---|---|---|---|
| Date | Venue | Location | Tickets | |||
| Oct 20 | Capitol | Perth, Australia | Tickets | RSVP | ||
| Oct 21 | Thebarton Theatre | Adelaide, Australia | Tickets | RSVP | ||
| Oct 22 | Billboard | Melbourne, Australia | Tickets | RSVP | ||
| Oct 23 | Billboard | Melbourne, Australia | Tickets | RSVP | ||
| Oct 24 | NSW University Roundhouse | Sydney, Australia | Tickets | RSVP | ||
| Oct 26 | The HIFI | Brisbane, Australia | Tickets | RSVP | ||
| Oct 27 | The HIFI | Brisbane, Australia | Tickets | RSVP | ||
| Nov 03 | The Rave | Milwaukee, WI | Tickets | RSVP | ||
| Nov 06 | House of Blues | Chicago, IL | Tickets | RSVP | ||
| Nov 07 | EPIC | Minneapolis, MN | Tickets | RSVP | ||
| Nov 08 | The Garrick | Winnipeg, Canada | Tickets | RSVP | ||
| Nov 10 | Edmonton Event Centre | Edmonton, Canada | Tickets | RSVP | ||
| Nov 11 | MacEwan Ballroom | Calgary, Canada | Tickets | RSVP | ||
| Nov 13 | Rickshaw Theatre | Vancouver, Canada | Tickets | RSVP | ||
| Nov 14 | Showbox SODO | Seattle, WA | Tickets | RSVP | ||
| Nov 15 | Roseland Theater | Portland, OR | Tickets | RSVP | ||
| Nov 17 | Regency Ballroom | San Francisco, CA | Tickets | RSVP | ||
| Nov 18 | The Catalyst | Santa Cruz, CA | Tickets | RSVP | ||
| Nov 19 | Soma | San Diego, CA | Tickets | RSVP | ||
| Nov 20 | Club Nokia | Los Angeles, CA | Tickets | RSVP | ||
| Nov 21 | Marquee Theatre | Tempe, AZ | Tickets | RSVP | ||
| Nov 23 | Saltair | Magna, UT | Tickets | RSVP | ||
| Nov 25 | The Summit Music Hall | Denver, CO | Tickets | RSVP | ||
| Nov 26 | Diamond Ballroom | Oklahoma City, OK | Tickets | RSVP | ||
| Nov 27 | House of Blues | Dallas, TX | Tickets | RSVP | ||
| Nov 28 | Backstage Live | San Antonio, TX | Tickets | RSVP | ||
| Nov 29 | Warehouse Live | Houston, TX | Tickets | RSVP | ||
| Nov 30 | House Of Blues | New Orleans, LA | Tickets | RSVP | ||
| Dec 02 | The Ritz Ybor | Tampa, FL | Tickets | RSVP | ||
| Dec 03 | Revolution | Fort Lauderdale, FL | Tickets | RSVP | ||
| Dec 04 | House of Blues | Orlando, FL | Tickets | RSVP | ||
| Dec 05 | The Masquerade | Atlanta, GA | Tickets | RSVP | ||
| Dec 07 | Amos' Southend | Charlotte, NC | Tickets | RSVP | ||
| Dec 08 | The National | Richmond, VA | Tickets | RSVP | ||
| Dec 09 | The Fillmore | Silver Spring, MD | Tickets | RSVP | ||
| Dec 10 | Electric Factory | Philadelphia, PA | Tickets | RSVP | ||
| Dec 11 | Starland Ballroom | Sayreville, NJ | Tickets | RSVP | ||
| Dec 13 | Best Buy Theatre | New York, NY | Tickets | RSVP | ||
| Dec 14 | The Palladium | Worcester, MA | Tickets | RSVP | ||
| Dec 15 | Metropolis | Montreal, Canada | Tickets | RSVP | ||
| Dec 16 | Kool Haus | Toronto, Canada | Tickets | RSVP | ||
| Dec 17 | Royal Oak Music Theatre | Royal Oak, MI | Tickets | RSVP | ||
| Dec 18 | Bogarts | Cincinnati, OH | Tickets | |||
Kesukaan anak muda jaman sekarang
Pergaulan Bebas Anak Remaja
Tingginya kasus penyakit Human Immunodeficiany Virus/Acquired Immnune Deficiency Syndrome (HIV/AIDS), khususnya pada kelompok umur remaja, salah satu penyebabnya akibat pergaulan bebas.Hasil penelitian di 12 kota di Indonesia termasuk Denpasar menunjukkan 10-31% remaja yang belum menikah sudah pernah melakukan hubungan seksual.
Di kota Denpasar dari 633 pelajar Sekolah Menengah Tingkat Atas (SLTA) yang baru duduk di kelas II, 155 orang atau 23,4% mempunyai pengalaman hubungan seksual.
Mereka terdiri atas putra 27% dan putri 18%. Data statistik nasional mengenai penderita HIV/AIDS di Indonesia menunjukkan bahwa sekitar 75% terjangkit hilangnya kekebalan daya tubuh pada usia remaja.
Demikian pula masalah remaja terhadap penyalahgunaan narkoba semakin memprihatinkan.Berdasarkan data penderita HIV/AIDS di Bali hingga Pebruari 2005 tercatat 623 orang, sebagian besar menyerang usia produktif. Penderita tersebut terdiri atas usia 5-14 tahun satu orang, usia 15-19 tahun 21 orang, usia 20-29 tahun 352 orang, usia 30-39 tahun 185 orang, usia 40-49 tahun 52 orang dan 50 tahun ke atas satu orang.
semakin memprihatinkan penderita HIV/AIDS memberikan gambaran bahwa, cukup banyak permasalahan kesehatan reproduksi yang timbul diantara remaja. Oleh sebab itu mengembangan model pusat informasi dan konsultasi kesehatan reproduksi remaja melalui pendidik (konselor) sebaya menjadi sangat penting.
“Pusat informasi dan konsultasi kesehatan reproduksi remaja menjadi model pemberdayaan masyarakat yang bertujuan menumbuhkan kesadaran dan peranserta individu memberikan solusi kepada teman sebaya yang mengalami masalah kesehatan reproduksi”.
Pelatihan Managemen tersebut diikuti 24 peserta utusan dari delapan kabupaten dan satu kota di Bali berlangsung selama empat hari.
Belum lama ini ada berita seputar tentang keinginan sekelompok masyarakat agar aborsi dilegalkan, dengan dalih menjunjung tinggi nilai hak azasi manusia. Ini terjadi karena tiap tahunnya peningkatan kasus aborsi di Indonesia kian meningkat, terbukti dengan pemberitaan di media massa atau TV setiap tayangan pasti ada terungkap kasus aborsi. Jika hal ini di legalkan sebgaimana yang terjadi di negara-negara Barat akan berakibat rusaknya tatanan agama, budaya dan adat bangsa. Berarti telah hilang nilai-nilai moral serta norma yang telah lama mendarah daging dalam masyarakat. Jika hal ini dilegal kan akan mendorong terhadap pergaulan bebas yang lebih jauh dalam masyarakat.
Orang tidak perlu menikah untuk melakukan hubungan seks. Sedangkan pelepasan tanggung jawab kehamilan bisa diatasi dengan aborsi. Legalisasi aborsi bukan sekedar masalah-masalah kesehatan reproduksi lokal Indonesia, tapi sudah termasuk salah satu pemaksaan gaya hidup kapitalis sekuler yang dipropagandakan PBB melalui ICDP (International Conference on Development and Population) tahun 1994 di Kairo Mesir.
Pada dasarnya seorang wanita yang melakukan aborsi akan mengalami ; penderitaan kehilangan harga diri (82%), berteriak-teriak histeris (51%), mimpi buruk berkali-kali mengenai bayi (63%), ingin bunuh diri (28%), terjerat obat-obat terlarang (41%), dan tidak bisa menikmati hubungan seksual (59%).
Aborsi atau abortus berarti penguguran kandungan atau membuang janin dengan sengaja sebelum waktunya, (sebelum dapat lahir secara alamiah). Abortus terbagi dua yaitu :
1. Abortus spontaneus yaitu abortus yang terjadi secara tidak sengaja. penyebabnya, kandungan lemah, kurangnya daya tahan tubuh akibat aktivitas yang berlebihan, pola makan yang salah dan keracunan.
2. Abortus provocatus yaitu aborsi yang disengaja. Disengaja maksudnya adalah bahwa seorang wanita hamil sengaja menggugurkan kandungan/ janinnya baik dengan sendiri atau dengan bantuan orang lain karena tidak menginginkan kehadiran janin tersebut.
Ø RisikoAborsi Aborsi memiliki risiko penderitaan yang berkepanjangan terhadap kesehatan maupun keselamatan hidup seorang wanita. Tidak benar jika dikatakan bahwa seseorang yang melakukan aborsi ia ” tidak merasakan apa-apa dan langsung boleh pulang “.
Ini adalah informasi yang sangat menyesatkan bagi setiap wanita, terutama mereka yang sedang kebingungan karena tidak menginginkan kehamilan yang sudah terjadi. Resiko kesehatan terhadap wanita yang melakukan aborsi berisiko kesehatan dan keselamatan secara fisik dan gangguan psikologis.
Dalam buku “Facts of Life” yang ditulis oleh Brian Clowes, Phd; Risiko kesehatan dan keselamatan fisik yang akan dihadapi seorang wanita pada saat melakukan aborsi dan akibat akan dilakukanua aborsi adalah sebagai berikut:
v Kematian mendadak karena pendarahan hebat.
v Kematian mendadak karena pembiusan yang gagal.
v Kematian secara lambat akibat infeksi serius disekitar kandungan.
v Rahim yang sobek (Uterine Perforation).
v Kerusakan leher rahim (Cervical Lacerations) yang akan menyebabkan cacat pada anak berikutnya.
v Kanker payudara (karena ketidakseimbangan hormon estrogen pada wanita),
v Kanker indung telur (Ovarian Cancer).
v Kanker leher rahim (Cervical Cancer).
v Kanker hati (Liver Cancer).
v Kelainan pada placenta/ari-ari (Placenta Previa) yang akan menyebabkan cacat pada anak berikutnya dan pendarahan hebat pada saat kehamilan berikutnya.
v Menjadi mandul/tidak mampu memiliki keturunan lagi ( Ectopic Pregnancy).
v Infeksi rongga panggul (Pelvic Inflammatory Disease).
v Infeksi pada lapisan rahim (Endometriosis)
Proses aborsi bukan saja suatu proses yang memiliki resiko tinggi dari segi kesehatan dan keselamatan seorang wanita secara fisik, tetapi juga memiliki dampak yang sangat hebat terhadap keadaan mental seorang wanita. Gejala ini dikenal dalam dunia psikologi sebagai “Post-Abortion Syndrome” (Sindrom Paska-Aborsi) atau PAS. Gejala-gejala ini dicatat dalam ” Psychological Reactions Reported After Abortion ” di dalam penerbitan The Post-Abortion Review.
Oleh sebab itu yang sangat penting untuk diperhatikan dalam hal ini adanya perhatian khusus dari orang tua remaja tersebut untuk dapat memberikan pendidikan seks yang baik dan benar. Dan memberikan kepada remaja tersebut penekanan yang cukup berarti dengan cara meyampaikan; jika mau berhubungan seksual, mereka harus siap menanggung segala risikonya yakni hamil dan penyakit kelamin.
Namun disadari, masyarakat (orangtua) masih memandang tabu untuk memberikan pendidikan, pengarahan sex kepada anak. Padahal hal ini akan berakibat remaja mencari informasi dari luar yang belum tentu kebenaran akan hal sex tersebut.
Ø Nilai pancasilaSebuah penelitian yang dilakukan oleh perusahaan riset Internasional Synovate atas nama DKT Indonesia melakukan penelitian terhadap perilaku seksual remaja berusia 14-24 tahun. Penelitian dilakukan terhadap 450 remaja dari Medan, Jakarta, Bandung dan Surabaya.
Hasil penelitian tersebut mengungkapkan bahwa 64% remaja mengakui secara sadar melakukan hubungan seks pranikah dan telah melanggar nilai-nilai dan norma agama. Tetapi, kesadaran itu ternyata tidak mempengaruhi perbuatan dan prilaku seksual mereka. Alasan para remaja melakukan hubungan seksual tersebut adalah karena semua itu terjadi begitu saja tanpa direncanakan.
Hasil penelitian juga memaparkan para remaja tersebut tidak memiliki pengetahuan khusus serta komprehensif mengenai seks. Informasi tentang seks (65%) mereka dapatkan melalui teman, Film Porno (35%), sekolah (19%), dan orangtua (5%). Dari persentase ini dapat dilihat bahwa informasi dari teman lebih dominan dibandingkan orangtua dan guru, padahal teman sendiri tidak begitu mengerti dengan permasalahan seks ini, karena dia juga mentransformasi dari teman yang lainnya.
Kurang perhatian orangtua, kurangnya penanaman nilai-nilai agama berdampak pada pergaulan bebas dan berakibat remaja dengan gampang melakukan hubungan suami istri di luar nikah sehingga terjadi kehamilan dan pada kondisi ketidaksiapan berumah tangga dan untuk bertanggung jawab terjadilah aborsi. Seorang wanita lebih cendrung berbuat nekat (pendek akal) jika menghadapi hal seperti ini.
Pada zaman modren sekarang ini, remaja sedang dihadapkan pada kondisi sistem-sistem nilai, dan kemudian sistem nilai tersebut terkikis oleh sistem nilai yang lain yang bertentangan dengan nilai moral dan agama. Seperti model pakaian (fasion), model pergaulan dan film-film yang begitu intensif remaja mengadopsi kedalam gaya pergaulan hidup mereka termasuk soal hubungan seks di luar nikah dianggap suatu kewajaran.
Bebera faktor yang menyebabkan terjadinya pergaulan bebas dikalangan remaja yaitu;
1. Faktor agama dan iman.
2. Faktor Lingkungan seperti orangtua, teman, tetangga dan media.
3. Pengetahuan yang minim ditambah rasa ingin tahu yang berlebihan.
4. Perubahan Zaman.
Ø Nilai Agama Firman Allah: ” Dan janganlah kamu membunuh anak-anakmu karena takut melarat. Kamilah yang memberi rezeki kepada mereka dan kepadamu juga. Sesungguhnya membunuh mereka adalah dosa yang besar.” ( QS 17:31 ). Banyak calon ibu yang masih muda beralasan bahwa karena penghasilannya masih belum stabil atau tabungannya belum memadai, kemudian ia merencanakan untuk menggugurkan kandungannya.
Padahal ayat tersebut telah jelas menerangkan bahwa rezeki adalah urusan Allah sedangkan manusia diperintahkan untuk berusaha. Membunuh satu nyawa sama artinya dengan membunuh semua orang. Menyelamatkan satu nyawa sama artinya dengan menyelamatkan semua orang.
Islam memberikan ganjaran dosa yang sangat besar terhadap pelaku aborsi. Firman Allah: “Barang siapa yang membunuh seorang manusia, bukan karena sebab-sebab yang mewajibkan hukum qishash, atau bukan karena kerusuhan di muka bumi, maka seakan-akan dia telah membunuh manusia seluruhnya. Dan barang siapa yang memelihara keselamatan nyawa seorang manusia, maka seolah-olah dia telah memelihara keselamatan nyawa manusia semuanya.” (QS 5:32 )
Oleh sebab itu aborsi adalah membunuh, membunuh berarti melakukan tindakan kriminal dan melawan terhadap perintah Allah. Al-Quran menyatakan: “Adapun hukuman terhadap orang-orang yang berbuat keonaran terhadap Allah dan RasulNya dan membuat bencana kerusuhan di muka bumi ialah: dihukum mati, atau disalib, atau dipotong tangan dan kakinya secara bersilang, atau diasingkan dari masyarakatnya. Hukuman yang demikian itu sebagai suatu penghinaan untuk mereka di dunia dan di akhirat mereka mendapat siksaan yang pedih.” (QS 5:36)
Ø Nilai Yuridis/Hukum Dalam Kitab Undang-undang Hukum Pidana Indonesia Bab XIV tentang kejahatan terhadap kesusilaan pasal 229 ayat (1) dikatakan bahwa perbuatan aborsi yang disengaja atas perbuatan sendiri atau meminta bantuan pada orang lain dianggap sebagai tindakan pidana yang diancam dengan hukuman paling lama 4 tahun penjara atau denda paling banyak tiga ribu rupiah.
Ayat (2) pasal 299 tersebut melanjutkan bahwa apabila yang bersalah dalam aborsi tersebut adalah pihak luar ( bukan ibu yang hamil ) dan perbuatan itu dilakukan untuk tujuan ekonomi, sebagai mata pencarian, maka hukumannya dapat ditambah sepertiga hukuman pada ayat (1) dia atas.
Apabila selama ini perbuatan itu dilakukan sebagai mata pencarian, maka dapat dicabut haknya untuk melakukan mata pencarian tersebut. Kemudian pada pasal 346 dikatakan bahwa wanita yang dengan sengaja menggugurkan kandungannya atau meyuruh orang lain untuk melakukan hal itu diancam hukuman penjara paling lama empat tahun.
Pada pasal 347 ayat (1) disebutkan orang yang menggugurkan atau mematikan kehamilan seorang wanita tanpa persetujuan wanita itu diancam hukuman paling lama 12 tahun penjara, dan selanjutnya ayat (2) menyebutkan jika dalam menggugurkan kandungan tersebut berakibat pada hilangnya nyawa wanita yang mengandung itu, maka pihak pelaku dikenakan hukuman penjara paling lama 15 tahun.
Dalam pasal 348 ayat (1) disebutkan bahwa orang yang dengan sengaja menggugurkan kandungan seorang wanita atas persetujuan wanita itu diancam hukuman paling lama 15 tahun penjara, dan ayat (2) melanjutkan, jika dalam perbuatan itu menyebabkan wanita itu meninggal, maka pelaku diancam hukuman paling lama 17 tahun penjara. Dengan demikian, perbuatan aborsi di Indonesia termasuk tindakan kejahatan yang diancam dengan hukuman yang jelas dan tegas.
Ø Kesimpulan Telah jelas bagi kita tidak ada dasar bagi Rancangan pembentukan Undang-undang legalisasi aborsi karena hal itu bertentangan dengan nilai-nilai Pancasila, Agama dan Hukum yang berlaku. Legalisasi aborsi akan mendorong pergaulan bebas lebih jauh dalam masyarakat.
Orang tidak perlu menikah untuk melakukan hubungan seks. Sedangkan pelepasan tanggung jawab kehamilan bisa diatasi dengan aborsi. Sedangkan dilarang saja masih banyak terjadi aborsi, bagaimana jika hal ini dilegalkan? Legalisasi akan berakibat orang tidak lagi takut untuk melakukan hubungan intim pranikah, prostitusi karena jika hamil hanya tinggal datang ke dokter atau bidan beranak untuk menggugurkan, dengan kondisi ini dokter ataupun bidan dengan leluasa memberikan patokan harga yang tinggi dalam sekali melakukan pengguguran.
Jika perharinya yang melakukan aborsi 7 s/d 8 orang dan harga sekali aborsi sebesar Rp. 4.000.000,-, berarti dalam satu harinya dokter ataupun bidan bisa meraup keuntungan sebesar Rp. 32.000.000,-. Jika di legalkan hal tersebut lebih berdampak negatif bagi pertumbuhan dan perkembangan remaja, legalisasi tidak memberikan manfaat bagi masyarakat dan bertentangan dengan nilai-nilai Pancasila dan Agama, jika bertentangan tidak perlu diterima/dibentuk peraturan tersebut.
Yang terpenting sebenarnya adalah bagaimana remaja dapat menempatkan dirinya sebagai remaja yang baik dan benar sesuai dengan tuntutan agama dan norma yang berlaku di dalam masyarakat serta dituntut peran serta orangtua dalam memperhatikan tingkah laku dalam kehidupan sehari-hari anaknya, memberikan pendidikan agama, memberikan pendidikan seks yang benar. Oleh sebab itu permasalahan ini merupakan tugas seluruh elemen bangsa tanpa terkecuali, agar menjadi sebuah proritas dalam penanganannya agar tidak terjadi kematian disebabkan aborsi tersebut.
Jumat, 30 September 2011
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at Jl.Ir H juanda ( DAGO ) 374 A bandung
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